Abducted to Oz
By Chris Dulabone, Robert J. Evans - Orginal " Lyman Frank Baum "
The boy was doing his homework. His parents had taken his little brother to see Return to Oz at the movie theater. He had seen it when it first came out and, although he enjoyed it at the time, he felt he was getting too old for that sort of stuff. Besides, he had too much work to do. It seemed to him that each teacher allocated enough work to practically take up a fellow’s entire evening—as if their class was the only one. So Graham, for that was his name, knew he would have to work for several more hours if he was to complete all the assignments.
Graham began to work on his math problems, but he could not concentrate. His mind drifted off to the original L. Frank Baum’s story: The Wonderful Wizard of Oz. He was thinking about the characters in it and what a terrific imagination Mr. Baum must have had, when suddenly, out of the stillness of the house, came a weird screeching sound. The sound was like nothing he had ever heard before. It seemed to have come from behind him; from the vicinity of the fireplace. Graham shivered. He did not believe in ghosts, and at twelve years old (almost thirteen) he should not be afraid to be home alone. But he was scared right now—no question about it. However, when no other sound was forthcoming, he began to rationalize that it had all been his imagination, perhaps just the wind whistling down the chimney. Then it happened! The awful sound of breaking glass. “Oh no,” he thought. “Someone is breaking in!” He looked over to the window—then to the French doors. Nothing! Yet the sound had seemed very close. He glanced at the mirror above the fireplace only to see that all the glass had gone, leaving an empty frame. Now he was really frightened. He wondered what had caused the glass to shatter. Then, to his amazement, all the pieces of slivered glass suddenly flew up from the fireplace and reconstructed themselves in the frame.
“I must be going crazy!” thought the poor lad. “All this schoolwork is getting to be too much for me. I must have cracked completely!” Then all the lights in the house went out, leaving him in pitch blackness. At that moment there was a strange crackling sound, and the mirror became illuminated with a purple glow. A grotesquely human face began to form into the image of an evil Witch. A loud, screechy cackle emanated from her throat. It was the same sound he had heard earlier. By now Graham was frozen with fear.
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Chris Dulabone, Robert J. Evans - Orginal " Lyman Frank Baum "
ABDUCTED to OZ BY Bob Evans & Chris Dulabone.
Founded on and Continuing the Famous Oz Stories by L. Frank Baum. Illustrated by Dennis Anfuso.
Lyman Frank Baum (May 15, 1856 – May 6, 1919) was an American author best known for his children’s fantasy books, particularly The Wonderful Wizard of Oz, part of a series. In addition to the 14 Oz books, Baum penned 41 other novels (not including four lost, unpublished novels), 83 short stories, over 200 poems, and at least 42 scripts. He made numerous attempts to bring his works to the stage and screen; the 1939 adaptation of the first Oz book became a landmark of 20th-century cinema.
Born and raised in upstate New York, Baum moved west after an unsuccessful stint as a theater producer and playwright. He and his wife opened a store in South Dakota and he edited and published a newspaper. They then moved to Chicago, where he worked as a newspaper reporter and published children’s literature, coming out with the first Oz book in 1900. While continuing his writing, among his final projects he sought to establish a film studio focused on children’s films in Los Angeles, California.
His works anticipated such later commonplaces as television, augmented reality, laptop computers (The Master Key), wireless telephones (Tik-Tok of Oz), women in high-risk and action-heavy occupations (Mary Louise in the Country), and the ubiquity of clothes advertising (Aunt Jane’s Nieces at Work).
Later life and work
With the success of Wizard on page and stage, Baum and Denslow hoped for further success and published Dot and Tot of Merryland in 1901. The book was one of Baum’s weakest, and its failure further strained his faltering relationship with Denslow. It was their last collaboration. Baum worked primarily with John R. Neill on his fantasy work beginning in 1904, but Baum met Neill a few times (all before he moved to California) and often found Neill’s art not humorous enough for his liking. He was particularly offended when Neill published The Oz Toy Book: Cut-outs for the Kiddies without authorization.
Baum reportedly designed the chandeliers in the Crown Room of the Hotel del Coronado; however, that attribution has yet to be corroborated. Several times during the development of the Oz series, Baum declared that he had written his last Oz book and devoted himself to other works of fantasy fiction based in other magical lands, including The Life and Adventures of Santa Claus and Queen Zixi of Ix. However, he returned to the series each time, persuaded by popular demand, letters from children, and the failure of his new books. Even so, his other works remained very popular after his death, with The Master Key appearing on St. Nicholas Magazine’s survey of readers’ favorite books well into the 1920s.
In 1905, Baum declared plans for an Oz amusement park. In an interview, he mentioned buying “Pedloe Island” off the coast of California to turn it into an Oz park. However, there is no evidence that he purchased such an island, and no one has ever been able to find any island whose name even resembles Pedloe in that area. Nevertheless, Baum stated to the press that he had discovered a Pedloe Island off the coast of California and that he had purchased it to be “the Marvelous Land of Oz,” intending it to be “a fairy paradise for children.” Eleven-year-old Dorothy Talbot of San Francisco was reported to be ascendant to the throne on March 1, 1906, when the Palace of Oz was expected to be completed. Baum planned to live on the island, with administrative duties handled by the princess and her all-child advisers. Plans included statues of the Scarecrow, Tin Woodman, Jack Pumpkinhead, and H.M. Woggle-Bug, T.E. Baum abandoned his Oz Park project after the failure of The Woggle-Bug, which was playing at the Garrick Theatre in 1905.
His works anticipated such later commonplaces as television, augmented reality, laptop computers (The Master Key), wireless telephones (Tik-Tok of Oz), women in high-risk and action-heavy occupations (Mary Louise in the Country), and the ubiquity of clothes advertising (Aunt Jane’s Nieces at Work).
Chris Dulabone, Robert J. Evans - Orginal " Lyman Frank Baum "
