Evlum Free Online Ebooks

More results...

Generic selectors
Exact matches only
Search in title
Search in content
Post Type Selectors
Evlum Free Online Ebooks

More results...

Generic selectors
Exact matches only
Search in title
Search in content
Post Type Selectors

PUBLISHED: 1911
PAGES: 178

Average rating 5 / 5. Vote count: 1

Be the first to rate this book.

Appreciations and Criticisms of the Works of Charles Dickens

By G. K. Chesterton

Published in 1911, this book gathers the prefaces that Chesterton wrote for more than twenty of Dickens’s novels. With quintessential Chesterton wit, the chapters display his supreme admiration for Dickens. He writes: “Dickens must be considered in light of the changes his soul foresaw.

Thackeray has become classical; Dickens has done more; he has remained modern … he belongs to the times since his death.”

Read or download Book

G. K. Chesterton

Gilbert Keith Chesterton KC*SG (29 May 1874 – 14 June 1936) was an English writer, philosopher, Christian apologist, and literary and art critic.

Biography

Chesterton created the fictional priest-detective Father Brown and wrote on apologetics. Even some of those who disagree with him have recognized the broad appeal of such works as Orthodoxy and The Everlasting Man. Chesterton routinely referred to himself as an orthodox Christian and came to identify this position more and more with Catholicism, eventually converting from high church Anglicanism. Biographers have identified him as a successor to such Victorian authors as Matthew Arnold, Thomas Carlyle, John Henry Newman, and John Ruskin. He has been referred to as the “prince of paradox”. Of his writing style, Time observed: “Whenever possible, Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out.” His writings were an influence on Jorge Luis Borges, who compared his literature with that of Edgar Allan Poe. Chesterton was born in Campden Hill in Kensington, London, the son of Edward Chesterton (1841–1922), an estate agent, and Marie Louise, née Grosjean, of Swiss-French origin. Chesterton was baptized at the age of one month into the Church of England, though his family were irregularly practising Unitarians.

According to his autobiography, as a young man, he became fascinated with the occult and, along with his brother Cecil, experimented with Ouija boards. He was educated at St Paul’s School, then attended the Slade School of Art to become an illustrator. The Slade is a department of University College London, where Chesterton also took classes in literature, but he did not complete a degree in either subject. He married Frances Blogg in 1901; the marriage lasted the rest of his life. Chesterton credited Frances with leading him back to Anglicanism, though he later considered Anglicanism to be a “pale imitation”. He entered full communion with the Catholic Church in 1922. The couple were unable to have children. A friend from schooldays was Edmund Clerihew Bentley, inventor of the clerihew, a whimsical four-line biographical poem. Chesterton wrote clerihews and illustrated his friend’s first published collection of poetry, Biography for Beginners (1905), which popularised the clerihew form. He became godfather to Bentley’s son, Nicolas, and opened his novel The Man Who Was Thursday with a poem written to Bentley.

G. K. Chesterton

G. K. Chesterton