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PUBLISHED: 1906
PAGES: 193

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Bardelys the Magnificent

By Rafael Sabatini

Speak of the Devil,” whispered La Fosse in my ear, and, moved by the words and by the significance of his glance, I turned in my chair.

The door had opened, and under the lintel stood the thick-set figure of the Comte de Chatellerault. Before him, a lacquey in my escutcheoned livery of red-and-gold was receiving, with back obsequiously bent, his hat and cloak.

A sudden hush fell upon the assembly where a moment ago this very man had been the subject of our talk, and silenced were the wits that but an instant since had been making free with his name and turning the Languedoc courtship – from which he was newly returned with the shame of defeat – into a subject for heartless mockery and jest. Surprise was in the air for we had heard that Chatellerault was crushed by his ill fortune in the lists of Cupid, and we had not looked to see him joining so soon a board at which – or so at least I boasted – mirth presided.

And so for a little space, the Count stood pausing on my threshold, whilst we craned our necks to contemplate him as though he had been an object for inquisitive inspection. Then a smothered laugh from the brainless La Fosse seemed to break the spell. I frowned. It was a climax of discourtesy whose impression I must at all costs efface.

I leaped to my feet, with a suddenness that sent my chair gliding a full half-yard along the glimmering parquet of the floor, and in two strides I had reached the Count and put forth my hand to bid him welcome. He took it with a leisureliness that argued sorrow. He advanced into the full blaze of the candlelight and fetched a dismal sigh from the depths of his portly bulk.

“You are surprised to see me, Monsieur le Marquis,” said he, and his tone seemed to convey an apology for his coming – for his very existence almost.

Now Nature had made my Lord of Chatellerault as proud and arrogant Lucifer – some resemblance to which illustrious personage his downtrodden retainers were said to detect in the lineaments of his swarthy face. The environment had added to that store of insolence wherewith Nature had equipped him, and the King’s favor – in which he was my rival – had gone yet further to mold the peacock attributes of his vain soul. So that this wondrous humble tone of his gave me pause; for to me it seemed that not even a courtship gone awry could account for it in such a man.

“I had not thought to find so many here,” said he. And his next words contained the cause of his dejected air. “The King, Monsieur de Bardelys, has refused to see me; and when the sun is gone, we lesser bodies of the courtly firmament must needs turn for light and comfort to the moon.” And he made me a sweeping bow.

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Rafael Sabatini

Rafael Sabatini (29 April 1875 – 13 February 1950) was an Italian-born British writer of romance and adventure novels.

Biography.

He is best known for his worldwide bestsellers: The Sea Hawk (1915), Scaramouche (1921), Captain Blood (a.k.a. Captain Blood: His Odyssey) (1922), and Bellarion the Fortunate (1926). Several of his novels have been made into films, both silent and talking. In all, Sabatini produced 34 novels, eight short story collections, six non-fiction books, numerous uncollected short stories, and several plays. After a brief stint in the business world, Sabatini went to work as a writer. He wrote short stories in the 1890s, and his first novel came out in 1902. It took Sabatini roughly a quarter of a century of hard work before he attained success in 1921 with Scaramouche. The novel, a historical romance set during the French Revolution, became an international bestseller. It was followed the next year by the equally successful Captain Blood.

All of his earlier books were then rushed into reprints, the most popular of which was The Sea Hawk (originally published in 1915). Sabatini was a prolific writer, producing a new book approximately every year. With his high output and well-crafted stories he was able to maintain his popularity with the reading public through the decades that followed. In the early 1940s illness forced Sabatini to slow his prolific writing.

He only published three more books before his death in 1950: King in Prussia (also known as The Birth of Mischief, 1944), Turbulent Tales (a collection of shorts, 1946), and The Gamester (1949).

Rafael Sabatini

Rafael Sabatini