The Drums of Jeopardy
By Harold MacGrath
A fast train drew into Albany, on the New York Central, from the West. It was three-thirty of a chill March morning in the first year of peace. A pall of fog lay over the world so heavy that it beaded the face and hands and deposited a fairy diamond dust upon wool. The station lights had the visibility of stars, and like the stars were without refulgence – a pale golden aureola, perhaps three feet in diameter, and beyond, nothing. The few passengers who alighted and the train itself had the same nebulosity of drab fish in a dim aquarium.
Among the passengers to detrain was a man in a long black coat. The high collar was up. The man wore a derby hat, well down upon his head, after the English mode. An English kitbag, battered and scarred, swung heavily from his hand. He immediately strode for the station wall and stood with his back to it. He was almost invisible. He remained motionless until the other detrained passengers swam past until the red tail lights of the last coach vanished into the deeps; then he rushed for the exit to the street.
Away toward the far end of the platform, there appeared a shadowy patch in the fog. It grew and presently took upon itself the shape of a man. For one so short and squat and thick his legs possessed remarkable agility, for he reached the street just as the other man stopped at the side of a taxicab.
The fool! As if such a movement had not been anticipated. Sixteen thousand miles, always eastward, on horses, camels, donkeys, trains, and ships; down China to the sea, over that to San Francisco, thence across this bewildering stretch of cities and plains called the United States, always and ever toward New York – and the fool thought he could escape! Thought he was flying when in truth he was being driven toward a wall in which there would be no breach! Behind and in front the net was closing. Up to this hour, he had been extremely clever in avoiding contact. This was his first stupid act – thought the fog would serve as an impenetrable cloak.
Meantime, the other man reached into the taxicab and awoke the sleeping chauffeur.
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Harold MacGrath
Harold MacGrath (September 4, 1871 – October 30, 1932) was a bestselling and prolific American novelist, short story writer, and screenwriter. He sometimes completed more than one novel per year for the mass market, covering romance, spies, mystery, and adventure.
He was the first nationally known writer to be commissioned to write original screenplays for the new film industry. In addition, he had eighteen novels and three short stories adapted as films, in some cases more than once. Three of these novels were also adapted as plays that were produced on Broadway in New York City. MacGrath traveled extensively but was always based in Syracuse, New York, where he was born and raised.
Biography
Born Harold McGrath in Syracuse, New York, he was the son of Thomas H. and Lillian Jane McGrath. As a young man, he worked as a reporter and columnist for the Syracuse Herald newspaper until the late 1890s, when he published his first novel, a romance titled Arms and the Woman. According to the New York Times, his next book, The Puppet Crown, was the No.7 bestselling book in the United States for all of 1901.
MacGrath (as he spelled his name then) continued to write novels for the mass market about love, adventure, mystery, spies, and the like at an average rate of more than one a year. He had three more books that were among the top ten bestselling books of the year. At the same time, he published several short stories in such major American magazines as The Saturday Evening Post, Ladies Home Journal, and Red Book magazine. Several of MacGrath’s novels were also serialized in these magazines. He continued to have short stories published in such venues until he died in 1932.
Writing for films
In 1912, Harold MacGrath became one of the first nationally known authors to write directly for movies when he was hired by the American Film Company to create an original screenplay for a short film in the Western genre, titled The Vengeance That Failed.
MacGrath’s work was so popular that eighteen of his forty novels and three of his short stories were adapted as films. Some of the novels received more than one film adaptation. He also wrote the original screenplays for another four movies. His serial film The Adventures of Kathlyn (1903) featured Kathlyn Williams. While writing the screenplays for the thirteen episodes of the serial, he also wrote the related novel. It was published immediately after the December 29, 1913, premiere of the first episode of the serial. The book was available for sale in bookstores during the screening of the entire thirteen episodes, capitalizing on the publicity.
Three of his books adapted for film were also adapted as Broadway plays.
Harold MacGrath
