The Firm of Girdlestone
By Arthur Conan Doyle
On one side of this is a brass plate with the inscription “Girdlestone and Co., African Merchants,” and above it a curious hieroglyphic supposed to represent a human hand in the act of pointing. Following the guidance of this somewhat ghostly emblem, the wayfarer finds himself in a small square yard surrounded by doors, upon one of which the name of the firm reappears in large white letters, with the word “Push” printed beneath it. If he follows this laconic invitation he will make his way into a long, low apartment, which is the counting-house of the African traders.
On the afternoon of which we speak things were quiet at the offices. The line of pigeon-holes in the wire curtain was deserted by the public, though the linoleum-covered floor bore abundant traces of a busy morning. Misty London’s light shone hazily through the glazed windows and cast dark shadows in the corners. On a high perch in the background a weary-faced, elderly man, with muttering lips and tapping fingers, cast up endless lines of figures. Beneath him, in front of two long shining mahogany desks, half a score of young men, with bent heads and stooping shoulders, appeared to be riding furiously, neck and neck, in the race for life. Any habitue of a London office might have deduced from their relentless energy and incorruptible diligence that they were under the eyes of some member of the firm.
The member in question was a broad-shouldered, bull-necked young man, who leaned against the marble mantel-piece, turning over the pages of an almanac, and taking from time to time a stealthy peep over the top of it at the toilers around him. Command was imprinted in every line of his strong, square-set face and erect, powerful frame. Above the medium size, with a vast spread of shoulder, a broad aggressive jaw, and a bright bold glance, his whole pose and expression spoke of resolution pushed to the verge of obstinacy. There was something classical in the regular olive-tinted features and black, crisp, curling hair fitting tightly to the well-rounded head. Yet, though classical, there was an absence of spirituality. It was rather the profile of one of those Roman emperors, splendid in its animal strength, but lacking those subtle softnesses of eye and mouth which speak of an inner life. The heavy gold chain across the waistcoat and the bright stone that blazed upon the finger were the natural complement of the sensuous lip and curving chin. Such was Ezra, the only child of John Girdlestone, and heir to the whole of his vast business. Little wonder that those who had an eye to the future bent over their ledgers and worked with a vigor calculated to attract the attention of the junior partner, and to impress him with a due sense of their enthusiastic regard for the interests of the firm.
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Arthur Conan Doyle
Sir Arthur Ignatius Conan Doyle KStJ, DL (22 May 1859 – 7 July 1930) was a British writer and physician. He created the character Sherlock Holmes in 1887 for A Study in Scarlet, the first of four novels and fifty-six short stories about Holmes and Dr. Watson. The Sherlock Holmes stories are milestones in the field of crime fiction.
Doyle was a prolific writer; other than Holmes’s stories, his works include fantasy and science fiction stories about Professor Challenger, and humorous stories about the Napoleonic soldier Brigadier Gerard, as well as plays, romances, poetry, non-fiction, and historical novels. One of Doyle’s early short stories, “J. Habakuk Jephson’s Statement” (1884), helped to popularise the mystery of the Mary Celeste.
Name
Doyle is often referred to as “Sir Arthur Conan Doyle” or “Conan Doyle”, implying that “Conan” is part of a compound surname rather than a middle name. His baptism entry in the register of St Mary’s Cathedral, Edinburgh, gives “Arthur Ignatius Conan” as his given name and “Doyle” as his surname. It also names Michael Conan as his godfather. The catalogs of the British Library and the Library of Congress treat “Doyle” alone as his surname.
Steven Doyle, publisher of The Baker Street Journal, wrote: “Conan was Arthur’s middle name. Shortly after he graduated from high school he began using Conan as a sort of surname. But technically his last name is simply ‘Doyle’.” When knighted, he was gazetted as Doyle, not under the compound Conan Doyle.
Doyle’s first novels were The Mystery of Cloomber, not published until 1888, and The Unfinished Narrative of John Smith, published only posthumously, in 2011. He amassed a portfolio of short stories, including “The Captain of the Pole-Star” and “J. Habakuk Jephson’s Statement”, both inspired by Doyle’s time at sea. The latter popularised the mystery of the Mary Celeste and added fictional details such as that the ship was found in perfect condition (it had taken on the water by the time it was discovered), and that its boats remained on board (the single boat was missing). These fictional details have come to dominate popular accounts of the incident, and Doyle’s alternative spelling of the ship’s name as the Marie Celeste has become more commonly used than the original spelling.
Between 1888 and 1906, Doyle wrote seven historical novels, which he and many critics regarded as his best work. He also wrote nine other novels, and—later in his career (1912–29)—five narratives (two of novel length) featuring the irascible scientist Professor Challenger. The Challenger stories include his best-known work after the Holmes oeuvre, The Lost World. His historical novels include The White Company and its prequel Sir Nigel, set in the Middle Ages. He was a prolific author of short stories, including two collections set in Napoleonic times and featuring the French character Brigadier Gerard.
Doyle’s works for the stage include Waterloo, which centers on the reminiscences of an English veteran of the Napoleonic Wars and features a character Gregory Brewster, written for Henry Irving; The House of Temperley, the plot of which reflects his abiding interest in boxing; The Speckled Band, adapted from his earlier short story “The Adventure of the Speckled Band”; and an 1893 collaboration with J. M. Barrie on the libretto of Jane Annie.
Arthur Conan Doyle
