The Intrusion of Jimmy
By Pelham Grenville Wodehouse
The main smoking room of the Strollers’ Club had been filling for the last half-hour and was now nearly full. In many ways, the Strollers, though not the most magnificent, is the pleasantest club in New York. Its ideals are comfort without pomp, and it is given over after eleven o’clock at night mainly to the Stage. Everybody is young, clean-shaven, and full of conversation: and the conversation strikes a purely professional note.
Everybody in the room on this July night had come from the theater. Most of those present had been acting, but a certain number had been to the opening performance of the latest better-than-Raffles play. There had been something of a boom that season in dramas whose heroes appealed to the public more pleasantly across the footlights than they might have done in real life. In the play that had opened tonight, Arthur Mifflin, an exemplary young man off the stage, had been warmly applauded for a series of actions which, performed anywhere except in the theater, would certainly have debarred him from remaining a member of the Strollers’ or any other club. In a faultless evening dress, with a debonair smile on his face, he had broken open safe, stolen bonds, and jewelry to a large amount, and escaped without a blush of shame via the window. He had foiled a detective through four acts and held up a band of pursuers with a revolver. A large audience had intimated complete approval throughout.
“It’s a hit all right,” said somebody through the smoke.
“These near-‘Raffles’ plays always are,” grumbled Willett, who played bluff fathers in musical comedy. “A few years ago, they would have been scared to death of putting on a show with a crook as hero.
Now, it seems to me the public doesn’t want anything else. Not that they know what they DO want,” he concluded, mournfully.
“The Belle of Boulogne,” in which Willett sustained the role of Cyrus K. Higgs, a Chicago millionaire, was slowly fading away on a diet of paper, and this possibly prejudiced him.
Raikes, the character actor, changed the subject. If Willett once got started on the wrongs of the ill-fated “Belle,” general conversation would become impossible. Willett, denouncing the stupidity of the public, as purely a monologue artiste.
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Pelham Grenville Wodehouse
Sir Pelham Grenville Wodehouse, KBE (15 October 1881 – 14 February 1975) was an English writer and one of the most widely read humorists of the 20th century. His creations include the feather-brained Bertie Wooster and his sagacious valet, Jeeves; the immaculate and loquacious Psmith; Lord Emsworth and the Blandings Castle set; the Oldest Member, with golf stories; and Mr Mulliner, with tall tales on subjects ranging from bibulous bishops to megalomaniac movie moguls.
Biography.
Born in Guildford, the third son of a British magistrate based in Hong Kong, Wodehouse spent happy teenage years at Dulwich College, to which he remained devoted all his life. After leaving school he was employed by a bank but disliked the work and turned to write in his spare time. His early novels were mostly school stories, but he later switched to comic fiction. Most of Wodehouse’s fiction is set in his native United Kingdom, although he spent much of his life in the US and used New York and Hollywood as settings for some of his novels and short stories. He wrote a series of Broadway musical comedies during and after the First World War, together with Guy Bolton and Jerome Kern, that played an important part in the development of the American musical. He began the 1930s writing for MGM in Hollywood. In a 1931 interview, his naive revelations of incompetence and extravagance in the studios caused a furor. In the same decade, his literary career reached a new peak.
In 1934 Wodehouse moved to France for tax reasons; in 1940 he was taken prisoner at Le Touquet by the invading Germans and interned for nearly a year. After his release, he made six broadcasts from German radio in Berlin to the US, which had not yet entered the war. The talks were comic and apolitical, but his broadcasting over enemy radio prompted anger and strident controversy in Britain and a threat of prosecution. Wodehouse never returned to England. From 1947 until his death he lived in the US, taking dual British-American citizenship in 1955. He died in 1975, at the age of 93, in Southampton, New York, one month after he was awarded a knighthood of the Order of the British Empire (KBE).
Wodehouse was a prolific writer throughout his life, publishing more than ninety books, forty plays, two hundred short stories, and other writings between 1902 and 1974. He worked extensively on his books, sometimes having two or more in preparation simultaneously. He would take up to two years to build a plot and write a scenario of about thirty thousand words. After the scenario was complete he would write the story. Early in his career, Wodehouse would produce a novel in about three months, but he slowed in old age to around six months. He used a mixture of Edwardian slang, quotations from and allusions to numerous poets, and several literary techniques to produce a prose style that has been compared to comic poetry and musical comedy. Some critics of Wodehouse have considered his work flippant, but among his fans are former British prime ministers and many of his fellow writers.
Pelham Grenville Wodehouse
